Here at End Transmission Games, we’ve been working on some exciting stuff! As I have done more than once in the past, I’ll passingly mention that virtually no one reads this or is reading it; I can probably name way too high a percent of this blog’s readers just off the top of my head. But perhaps that is going to begin to change, as End Transmission is taking strides towards vaulting onto the public stage in a whole new way.

Let’s start with S|P|L|I|N|T|E|R!

So if you’re like new, SPLINTER is our very first game product and first appeared on the market way back in 2012, during ICON 31. Since then I’ve been shorthanding its premise as The Running Man meets D&D on Acid; a fun description, but not an adequate one to contain all its transgressively meta weirdness (and it sadly leaves out BLAME! and Dark City entirely). Three years ago when it was still theoretical and not yet a finished product, I explained it here in quite a bit more detail. In the two years and change since it came out it hasn’t seen a supporting release, a real shame, the cause of which is how busy we were launching other game lines.

Well, now SPLINTER finally has a supplement coming out, hopefully, in the next week. It’s a $1.00 PDF and only around ten pages long. In spite of that it’s an an essential piece of setting information that greatly illuminates the interaction between Earthside and the Realm, and gives gamers a glimpse of what can be expected from a continued SPLINTER campaign. In short, it helps illustrate “How To Use SPLINTER” as a game/setting, an example of tone and content that was sorely needed.


It’s the Superstar Profile of this guy Ronald Singh (the Player behind Kade Merek). He’s the greatest star the Splinter has ever seen. Superstar Profile: Kade Merek details how he made it to the top, climbing a big damn pile of bodies.

This is him. Art is WIP.
This is him. Art is WIP.

Ronald Singh is the most popular Player the Game has ever known. As the voice and mind behind Kade Merek, Needlekin assassin, his Adventures have sold billions of copies and garnered millions of subscribers and fans the world over. This in-depth bio profiles the rise of Kade Merek, from Singh’s conscription into the game as an Amateur at the age of 19 and his very first short form matches through the Long Form Adventures that made “Jacknife Kade” a legend, like Massacre at Lost Moorstoke (2455) and Quest For The Shade Diadem (2458), to recent events like Merek’s accession to the position of Royal Assassin for the Novembrist Court. Come and relive the story, and celebrate the man behind the legend!


Complete game statistics for Ronald Singh and Kade Merek are also provided.


 So this little product should offer a little signal flare for SPLINTER fans that the SPLINTER line is still alive and well. It will be released, hopefully, in the next week or two (a time period in which a lot of other exciting stuff is happening). Depending on how it sells, there may be more Superstar Profiles coming in the future, introducing us to some of the Game’s other movers and shakers.

Meanwhile, since the SPLINTER corebook was published (or even earlier) we’ve been working on two much bigger supplements. Since the Realm is meant to be limited, we want it to have as near to an infinite amount of content–wondrous treasure to find, strange monsters to fight, powerful spells to cast-as we can. We want random tables that sprawl for pages and pages. And the nearest mortal authors can get to infinite is arbitrarily large. Little Wondrous Things will introduce hundreds and hundreds of new weapons, armor, gear, spells, and technology to populate the Realm’s vast treasure store. Ugly Things will add over a hundred new monsters to populate the Realm and challenge Avatars of all Ascension Levels. These products don’t have a release date at this time–these are big books, with loads of content, being written by very few people–but they are somewhere on the distant horizon.

Now on to other news. The epic, 420 page Systems Malfunction campaign setting is still on sale for The Singularity System as a PDF. Efforts to get a correct print proof have been frustrating. Lightning Source is really, really dropping the ball on this for some reason. But hopefully we’ll have a physical copy for sale on DriveThru soon. So buy it now or buy it soon, once we finally manage to make it a widely available book!

Both halves of End Transmission Games are proud to announce that we have joined the Indie Game Developer Network. You’ll be able to find the IGDN presence, ourselves included, at Booth #1539 at this year’s GenCon, which is coming up in just a few weeks. We’ll have all our products there for sale.

Now, for the big one…


Psionics is a close cousin to Phantasm(2010), and uses the same core rules mechanic, the DicePunk System. I’ve been writing Psionics, on and off, in various incarnations, since I was 14 years old. That means that it is a one person passion project, a labor of love 14 years in the making! The year 2000, now amazingly nearly a decade and a half ago, was around the time I realized that just about anyone could make a roleplaying game out of just about anything. And I decided to make one that was very loosely based on the obscure PS1 game Galerians– which was never famous and has by now largely faded into obscurity–with an eye towards everything that, in turn, inspired Galerians. I have rewritten it over and over, throwing out everything I had as juvenillia and starting over time after time while marinating the subject matter in just tons and tons of thought. It has evolved into something very, very different in the decade and a half it’s been in pre-development.

Psionics is set in the real world, in the present day, or 20 minutes into the future, if you like. The players take the role of troubled teenagers and young adults who have just had an enormous power hidden inside them unlocked by external tampering–psionic talents. Following in the footsteps of novels and films like Akira, Carrie, Firestarter, and Scanners, the PCs will gain the ability to solve problems in their lives with the superhuman abilities available to them. And you’ll be confronted with questions about the cost of using telekinesis or pyrokinesis to get revenge on the bullies that tormented you, or using mind control to convince the girl you have a crush on to give you a chance.

Meanwhile, the PCs–called Espers–are hunted by a multitude of shadowy Conspiracies. These competing Conspiracies are seeking to control you and manipulate you into advancing their sinister agendas, and they have enormous resources at their disposal. So the story becomes, how do you buck the system and defy these groups seeking to capture and indoctrinate you, while coming to grips with your psionic talents. While the talents that Espers can access give them awesome problem-solving tools to play with, overusing your talents and pushing things too far can result in a catastrophic meltdown that is spectacularly fatal for everyone around you. So basically as a “typical” Esper, you’re a literal ticking time bomb of teenage angst, with enormous psychic powers, and the Man, in various incarnations, is constantly shadowing you and trying to fuck with you, taking away your agency and making you a foot soldier in their cause.

Espers are troubled young people with the aforementioned enormous psychic powers.

The bad news is that you have serious emotional problems.

The good news is that you have enormous psychic powers.

The other bad news is that because of your powers, shadowy conspiracies that secretly rule the world want to indoctrinate you into being their loyal puppets, or just put you in a cage and/or vivisect you, for science!–and to help them better rule the world.

But hey, the good news is that you still have enormous psychic powers.

The other other bad news is that your enormous psychic powers and becoming a fugitive from these conspiracies are going to make your serious emotional problems a lot worse.

Still bro…. enormous psychic powers. What could possibly go wrong?

So on top of a lifetime of being pushed around by your parents and tormented by bullies and snubbed by crushes who don’t even know you exist, The Man has emerged from the shadows to literally take control of your life. However, now you’re not limited to locking yourself in your room and listening to loud music. Now you have a real and powerful tool for pushing back. And you’re going to push back, aren’t you? You’re going to push back hard.

This hard:

Read Between The Lines

Psionics uses the DicePunk System, a very streamlined and flexible rules set with only four character attributes– Strength, Speed, Wits, and Will-and with player-defined skills augmenting the set list of skills. The DicePunk System is also used in our fangame, Phantasm (2010), which was nominated for an Ennie award for Best Free RPG in 2013. On top of the basic DicePunk chassis of Attributes, Skills, and Combat Techniques we’re going to overlay an in-depth set of rules for psionic talents. These will range from the “bread and butter” psionic powers like telekinesis (moving things with your mind, all the way from being able to levitate a coin to being able to throw or crush a city bus), pyrokinesis (starting fires with your will alone), and psychokinesis (mind-reading and mind-control) to exotic psi talents like magnekinesis (weather control), somakinesis (manipulating your body to enable superhuman physical feats), technokinesis (psionically ‘hacking’ mechanical systems), and necrokinesis (causing a cardiac arrest with a thought). The result is a tabletop RPG that will look and play out a lot like recent movies Push (2009) and Chronicle (2012).

To make the dream of Psionics, which is over a decade old, into an actual book people can buy and an actual game people can play with their friends, we’re going to use something we’ve been thinking about getting in on for years.


Virtually every indie RPG I can think of that’s hit a huge level of success and public awareness has been associated with a successful Kickstarter. So here’s hoping we can become part of that illustrious tradition, and here’s hoping I’m far from the only one who wants to play Firestarter/Akira/Chronicle the Tabletop RPG! If all goes well, our Psionics Kickstarter will be going live within the next week (!!) so be sure to check back here soon, or find us on KS, to check out the neat perks and rewards we’ll be offering backers.

And I think that covers everything. Until next time, DTO out.

So much-belated Origins 2014 after action con report GOOOOOOOOOOOOOOOOOOOOOO! I think this may be shorter than usual, but I do have a tendency to say something like that and then write something like INFINITY pages, so we’ll see. I always have trouble hitting the mark between “short enough to read as perfunctory” and “really freaking long”

This year we were at Origins, running demos, and selling games. By we I mean the End Transmission Games crew, myself, Mikaela, and Rachid Yahya tagged along to help us out (thanks again, Rachid!). We were able to hold our heads up proudly because the Systems Malfunction setting book for the Singularity System is finally done after about a year and a half of sweat and toil and cat herding! Go buy it! Now!! Buy two of it!

Our pal Jason Walters of IPR/HERO Games/Blackwyrm Publishing invited us to join our booth to the three that IPR/Blackwyrm had to form an island, and we were happy to do so. It was a nifty arrangement and I’d love to do something similar in the future at Origins shows yet to come.

Following a meeting with Jason Pitre at the con, we have applied to join the amazing Indie Game Developer Network, home to many cool dudes and ladies what makes the indie RPGs. I sincerely hope we are accepted among their ranks, because it seems to be our last shot at having a sales presence at GenCon this year, without which we’re DOOOOOOOMED…not to have a sales presence at GenCon this year. Which would be terribly unfortunate, as our books are already headed there, and so are we.

Now on to the topic of… SALES, SALES, SELLING AND SALES

Sales were…not great, but not terrible. At least that’s my gut feeling without access to sales data for any companies of our size in our position…and without knowing for sure of any companies that are exactly our size and in exactly our position. Sales is a tough topic. As I said to many people and had said to me by many people over the course of the con, selling an RPG is a lot like selling a car. To someone who already has several cars. That they don’t ever use.

Basically, what I am learning is that our company sells the majority of our products during conventions. A lot of this is hand sales, us actually selling things AT conventions. This can be ascribed to A) Mikaela being i) a pretty girl and ii) actively outgoing, and please note that the latter of those two things is literally no less possible for me than the former, and B) game designers excitedly talking about their products to potential customers. But not all of the sales that happen DURING conventions happen AT the convention. We also see huge spikes in our online sales during cons. Which is weird but not really…I guess some of the dozens of people that take a business card and say they’ll “check us out online” do just that, and like what they see.

Besides conventions, we do most of our sales through DriveThru RPG, a huge online megastore of all things vaguely roleplaying related. While we are fortunate enough as of this writing to have an awesomely high publisher rating on DriveThru RPG and numerous very favorable and flattering reviews, DriveThru does not do anything to actively promote are products like they do for larger and better known companies. I think the number of sales we have through DriveThru have more to do with the degree to which DriveThru has cornered the online RPG Market.

Our sales on “indie” venues like the indie RPGs un-store and Indie Press Revolution are much more disappointing, especially since these are “indie” venues and as a publisher, we are as “indie” as you can possibly get. In fact, to quote MC Frontalot, with only a pinch of irony,

Unpromoted,  don’t know how you found me.
Soundly situated in obscurityland,
famous in inverse proportion to how cool I am,
and should I ever garner triple-digit fans
you can tell me then there’s someone I ain’t indier than. 

IPR who is our distributor (kind of), for instance, does not (perhaps “can’t” is the word to use?) carry our products at national conventions because they don’t sell well enough to justify taking up shelf space that could be used for the “mainstream” “indie” RPGs (to what degree is that an oxymoron?) people are literally flocking to buy (cough). From a purely capitalistic perspective, this makes perfect sense because it makes financial sense. It’s just the fact that places like IPR present themselves as advocates for independent creator-publishers just as much as they present themselves as business ventures that makes it a hard pill to swallow. When you’re so Indie (read: unpromoted, unadvertised, unknown) that self-identified Indie venues can’t carry your shit because it’s too obscure, it starts to feel like a real Joseph Heller, by which I mean a Catch 22. Of course, it’s not like the big guys are looking out for our interests either…or even know we exist. Oh well, not whining, just philosophizing. 

But we’re pursuing avenues to try and raise awareness of our brand and all that other…corporate shit…that I despise…because I’m a flaky tortured artist creative type and all I know is to mak gams, not to mak money *le sigh*. Anyway if you’re reading this and you weren’t yesterday, then maybe something’s working.

And then there’s the big old fashioned national Distributors that are still in many ways the gatekeeper to FLGS (Friendly Local Game Stores) sales and that whole huge market segment (not everyone buys on the internet or at cons), but that’s such a big topic it will have to be saved for another post.

So that about raps up the recap of Origins and the thoughts stemming from it. We learned our lessons from last year, we brought a lot less books, and we sold a great big mess of them, in person and (I’m presuming, if things go like they usually do during cons) online. We put a ton of business cards in a ton of hands and had a ton of interesting conversations and made a ton of contacts, just like last year. As far as our public awareness, we are still somewhere between “way under the radar” and “totally unknown” but hopefully rising on the graph. Anyone into us know is into End Transmission Games before it was mainstream. Or “indie”. Or whatever it is sells thousands of games. 

There is a new S P L I N T E R product on the horizon! Finally! It should see release in the next few weeks, maybe I’ll blog about it first! We are also planning our very first KICKSTARTER. I will definitely be a-blogging about that soon.

Till next time!

And my girlfriend likes UL and DHC
And she’s so smart and independent
I don’t think she needs me
Quite half as much as I know I need her
I wonder why there’s not another guy she’d prefer

Yeah my girlfriend takes collect calls from the road
And it doesn’t seem to matter that I’m lacking in the bulge
She laughs at my dumb jokes when no one does
She brings me Mexican food from Sombrero just because

Quote  —  Posted: April 16, 2014 in Uncategorized

The development of the first official game setting for the Singularity System, Setting Module 00: Systems Malfunction (based on my long-running LARP of the same name) has been pretty much a goddamn nightmare. A nightmare of the endlessly recurring kind. The reason for this is no mystery: this is the first time that End Transmission has sought to publish a work of which I was not the sole primary author, and I am far better at producing my own content than I am at managing the content ouput of others. The fact of the delays was no surprise either, but the scale of them is staggering.

Some history: in January of last year, I began developing the Sol Invictus setting for the Singularity System. I realized that I could not possibly develop BOTH the Sol Invictus setting and the Systems Malfunction setting for tabletop and meet a reasonable production schedule (i.e. a GenCon ’13 release), so I decided that I would outsource the development of the Systems Malfunction setting book to an independent contractor familiar with the universe and subject matter. It soon became clear that no matter what, the Sol Invictus setting would take years for me to bring to fruition (which should have clued me in to something), but the choice to put the Systems setting book in someone else’s hands had been made, and there was nothing to be done about it. (As of now, only 110 .doc pages and 36,000 words of Sol Invictus exist, meaning that the first draft is nowhere near complete.)

The project was assigned by February of 2013, but we did not issue a contract until May of that year due to general inexperience at business, and more importantly, we were working our butts off making games.

Our plan was for a GenCon 2013 release of the Systems setting book, following hot on the heels of the Singularity System which we managed to release at Origins 2013 to modest sales (we’d initially been planning on releasing THAT at Lunacon to substantially modester sales, but that’s another story and a far less outrageous one). Contracted deadlines were missed again and again throughout July, and things became increasingly quite tense. By the time we got anything resembling a completed manuscript, it was mid-September, two months behind schedule, and GenCon had come and gone. At that point we were dealing with the stress of moving, and neither of us was looking forward to rush-processing the draft for a Con on the Cob October release. We wound up calling in sick from Con on the Cob entirely last year.

It’s a good thing we didn’t try to go to print with that manuscript, because it wasn’t actually complete at all. It took me entirely too long to realize this, as I spent three months going and carefully editing (for content and format) the rules section, before I could take a month to carefully review the setting chapter (editing again for content and format) and realize that some of it in fact was missing. At this point, it was January of this year. I had gotten over the extreme rage at all the missed deadlines between July and September, and was feeling a bit live-and-let-live. So never one to realize that a fire tends to burn rather consistently so you shouldn’t thrust your hand in it twice, I reached out to the original author. Could he deliver all of the missing and incomplete content by February 8th, so that we could get the book to print for a March Lunacon release? Of course he could, he assured me, no problem.

As of this writing it is February 25th and I still do not have a complete manuscript for layout: it is completely impractical, if not impossible, to publish this book for a Lunacon release, since Lunacon is in less than three weeks and the layout-to-publishing-to-shipping process involves several proofing stages and is rather time consuming. The complete draft is, as of this writing, 225 days late, also equivalent to seven months and 10 days, also equivalent to 32 weeks and one day. Oh well, there is always Origins. Maybe we will have a book by then. Anything is possible. This cannot all be blamed on the contractor. The truth is that the sheer scale and enormity of the project, the book, and the content it contains has expanded and expanded with seemingly every other revision and addition that we’ve done recently. Even culling everything not absolutely necessary, which I have been doing for months now, this project has lost weeks and weeks to the phenomenon software developers identify as scope creep.

In all seriousness, I can’t say that I have only myself to blame for this. But I also can’t say I don’t blame myself.

And all of this is…OK. I’ll repeat that, all of this is OK, just growing pains (even if some are more painful than others), mistakes we can afford to make, and learn from, and not make again, like the shipping thing last year. The truth is, we are (fortunately) on steady enough financial footing that this doesn’t knock us out of business as a company, and (fortunately or unfortunately) at this point we’re still very much under the radar. This is a book almost no one has heard of being talked about in a blog post that almost no one is reading. There are no legions of fans crashing our gates with rage that this book is seven months late (something that, I understand, happens even to the biggest in the business) and I am, perversely enough, almost grateful for that at this stage. It is bad enough dealing with my own frustrated expectations.

One lives, and one learns, and one continues to make games.

Wow: we’re a week into 2014 and predictably I’ve never felt more like I’m actually living in the future. Time flies, and it does so at a terrifying rate.

So End Transmission Games has been basically underground/off the grid for almost half a year now. I know from a business/marketing perspective, going dark for that long is virtually inexcusable. The reasons are pretty simple, beyond the state of reclusive, hermit-like silence that is naturally my most comfortable mode of being. After GenCon ’13, we were completely exhausted. Then we had to move into a new apartment pretty much immediately, which left us in whatever state comes after exhausted, when you become exhausted while already exhausted. Double-exhausted? Actually dead? I don’t know. (Upshot of the move was that we now have a real warehouse/office, kind of, making storing and inventorying our stock less of a nightmare.)

After getting settled in, we resolved to take a while (i.e. the month of October) to recover from the move and the busy con season, catch our breath, regain our sanity, and so on. But by the time we were feeling even slightly recovered, the holidays were upon us like a pack of wolves. All of this was the real life equivalent of, when in a fighting game, you get knocked up into the air by a move and then repeatedly kicked/punched in an air-juggle combo before you can even fall to the ground, let alone stand up.

But it’s 2014 and we’re back on the grid, up and running, out of the polar vortex. Future posts will come in weeks, not months. They will reveal things like our upcoming con schedule and the details of our upcoming product release schedule. In the mean time, here’s a real brief look at the stuff that’s coming up in 2014 from End Transmission Games.

  • Setting Module 00: Systems Malfunction for The Singularity System. If there’s ever been a project a long ass time in the making, this is it. We’ve been working on the translation of the Systems Malfunction setting to the Singularity System non-stop since this time last year, but the SysMal setting itself has been around since two thousand aught five. Yeowza! That’s nine years! (And much, much longer if you count the indie videogams it’s based on, but let’s not go too crazy.) Anyway, Setting Module 00 brings the obscure-yet-beloved setting of the Systems Malfunction LARP to your tabletop (finally!). Even more importantly, it’s an intricate, detailed setting book that gives you absolutely everything you need to embark on your own thrilling, awesome, epic spacepunk in the Singularity System. What do I mean by everything? I mean the full download on ancient history and recent events, races, major and minor factions, the galaxy’s power players and their dirty secrets, the social impact of modern tech, bio-augmentation, psionic talents, transference cloning, and aetherial magic, entertainment, culture, and society, a planetary gazetteer, plus expanded rules for: character creation, playable xel, celestial, verkulaks, and replicants, expanded personal combat, new bioaugmentations, new psionic talents, complete rules for aetherial magic, extra lives through transference cloning, consumer nanofacturing and you, new traits, racial abilities, new guns, swords, grenades, ammo, energy weapons, giant fightan robots, starfighters, starships, machines, NPC stats…I could go on, but I won’t. But I could. Ten pounds of awesome, one pound can. Open with care. Now this release has been delayed time and time again as the content has grown and grown and grown. We’re now cautiously optimistic for a March, 2014 release date to coincide with the opening of the Systems Malfunction LARP’s newest season.
  • New releases (finally) for our transgressively-meta, crazy weird indie RPG S.P.L.I.N.T.E.R.! SPLINTER’s been out since March of 2012 without a new release, but we haven’t forgotten it. What new releases 2014 may portend I can’t decisively say yet, but we’ve been thinking about Superstar Profiles for a few of EBC’s most famous (and infamous) players, featuring full backstories, story hooks, and/or game stats (for the players and their Avatars). And a treasure trove of new monsters and a menagerie of new treasure for the Splinter have been in the works for years now, and may make it to publication this year.
  • We will be Kickstarting our brand new RPG, Psionics! I am more than stoked about this. Psionics is a storytelling game set in the present day about teenagers and adults with dangerous and volatile psychic powers, and the shadowy organizations out to manipulate and control them. It uses the DicePunk System first seen in our Ennie Award nominated Phantasm(2010), but it features entirely new character types, enemies, and abilities, as well as a completely different genre: a dark, postmodern present day thriller, inspired by works like Akira and Firestarter. Look for it on Kickstarter a little later this year!

All that and more from ETG going forward into 2014. Some of these deserve (and should get) blog posts of their own in the near future, especially that last one!

Made it to, through, and back from GenCon alive. Some candid impressions/highlights, in virtual stream of consciousness fashion (but with bullet points). As I type up these recollections I can’t help but feel like I’m forgetting dozens and dozens of things. Probably so, honestly, my mind feels shattered and, horror of horrors, I’ve got another convention to take on starting tomorrow. Still here’s what I can currently remember.

  • Many thanks to David and Filamena from Machine Age/Onyx Path for making our attendance possible. I think we still need to iron out some details if we’re going to go splits on a booth for next year, but the assist on the last day logistics was really clutch.
  • The overestimated initial print run of The Singularity System continues to be a large, heavy, expensive, inconvenient albatross around End Transmission’s proverbial neck. No surprises there.
  • As I’ve hinted in the past, GenCon is really not friendly to small companies. In fact, GenCon hates small companies. I think the real problem is their priority points system, which is a Catch 22 that would make Joseph Heller blush. Basically, the placement of your booth determines your sales. Exiled in “exhibitor siberia” in the far rear right corner like we were, you only see a tiny percentage of the foot traffic that you would if your booth was closer to front and center. What’s more, the people you see have passed through the entire commercial/retail gauntlet, and have become mentally jaded and financially exhausted. Your booth placement is determined by a Priority Points system. The more conescutive years you’ve been exhibiting at GenCon, and the more money you’ve put into Sponsoring GenCon (or so I gather, the specifics online are distressingly elusive and I’d appreciate any hot tips or leads into deciphering it all), the more Priority Points you have. The more Priority Points you have, the better your booth placement. But coming to GenCon consecutively is expensive, and expenses require revenue from sales. Ergo, your shitty booth placement means you lose money, and you must suffer through several consecutive years of losing money in order to qualify for slightly better booth placement and maybe stop losing money. It sucks, and what makes matters worse is that the Priority Points go only to the company that serves as the primary contact point with GenCon, the guys whose names are on the booth application. In this way, and because priority points seem to be non-transferable, the priority points system strongly discourages booth co-ops and booth sharing, a la the old Adept Press/Forge booth. So basically, End Transmission sat through a year of shitty placement and shitty sales, and because our booth didn’t SAY End Transmission on it, we don’t even have the priority points to show for it to improve our standing next year. Fuck.
  • We did not win an Ennie award. On the other hand, we were seriously overdressed, so I’ll take some consolation in that. Also it was a big honor and delight just to be nominated. And my condolences to the good folks at Hero Games, my understanding is they went 0 for 6 this year. Personally speaking, I was glad that there was a reasonably priced cash bar to dull the pain.
  • I actually met Kevin Siembieda, who is more or less virtually universally reviled on the internet, moreso than any other personality in gaming I can think of. Yet when I met him at the Palladium booth, the impression I was left with was that he was one of the sweetest, nicest people I had ever met. He signed my copies of Rifts UE and Chaos Earth, and even threw in a free promo copy of Northern Gun just because I was a guy that shook his hand and talked to him; that’s a big deal as certain game companies (*ahem*) are very stingy with free copies. I was blown away; my mind could not handle the paradox.
  • Actually played in an enjoyable convention game (for once), a World of Darkness joint called “Immanentize The Eschaton” (I was sold on the name) run by ceremonial magician, author, and podcaster James L. Wilber. One of the most interesting people I’ve ever met, although he denies it. I’m partway through his novel now.
  • Played my first ever game of BattleTech, kind of, and the Catalyst Demo Agent running the “boot camp” (as they call it) sold me. I think I might have a new fandom/addiction in the making. The BattleTech Starter Box Set proves incredibly difficult to find, however, not just at the convention exhibitor’s hall, but on the internet at large.
  • Shook hands and rapped with Dennis Detwiller, one of the creator of the Delta Green RPG/Campaign Setting which I’ve been in love with since high school. Swoon!
  • Grabbed Scott Holden of OneBookShelf at the DriveThruRPG Booth, talked his ear off about how freaking hard it is to be an indie publisher. He told me to follow up on the conversation and I intend to.
  • Concluding the “People I Met” saga, ran into the guys from Daydreamer Interactive. It was their first GenCon as Exhibitors also, just like us, and it seemed like they were having an even weekend than we were. Swapped them copies of Splinter, Phantasm(2010), and The Singularity System in exchange for soft and hardcover copies of their new post-apocalyptic RPG, Infinum, which looks gorgeous.
  • Oh yeah, we actually sold some books. Again, I’m not ashamed of our gross, and if it was just the booth cost to balance against, we’d have done better than break even. But when you factor in travel, lodging, shipping, and logistics, we’re deep in the red.
  • It seems like it is really nice to have an established following. No, I don’t mean us. Machine Age folks had tons of friends from the internet, pre-sold customers who’d heard of them from Kickstarter stopping by to pick up their books. I was mad jealous.
  • David and Filamena left before I could trade my games with them for a copy of Apothoesis Drive X, Amaranthine, and their two Kinko’s games about the apocalypse. I wanted to pick up ADX for Evan, but I wanted the rest for myself.
  • Given business cards by several printer/print consolidators/manufacturers who make cards and packaging and the like. Assuming I didn’t lose these cards, visions of designing board and/or card (collectible and/or deckbuilding) games are dancing through my head.
  • That brings me to the final category, stuff I bought: now the proud owner of a weird-ass set of novelty dice, including d5, d7, d14, d16, d18, d24, and so on. From the same place, purchased a “band of orcs” mini set that appears to be an orcish metal band; incredibly Shadowrun for something not associated with Shadowrun. Speaking of Shadowrun, in spite of my best intentions I picked up the $100.00 Limited Edition Shadowrun 5th Core Rulebook with red leather dragon-embossed cover and gold-leaf edged pages. To my credit, this is mitigated slightly by the fact that I did not purchase the $200 Mayan Edition. Purchased various apparel, which I won’t detail here; if you know me in real life then you can appreciate the dark nerdery of my wardrobe. I also bought an awesome looking indie RPG called Misspent Youth from IPR. It seems like it’s right up my alley, conceptually if not mechanically. And…honestly that’s just scratching the surface of the crap I bought, and I’m out of time to make this blog post. So maybe I’ll follow up with a “more crap I bought at GenCon” post, because there were some really interesting finds.

So this time next week I’ll be deeply embroiled in the yearly melting pot/crazed extravaganza of gaming culture that is GenCon. This will be our third year in attendance. To run down previous GenCons…

2011: Went largely to help out CGL with GMing Shadowrun. Mikaela came along but was fully in the midst of experiencing extreme personal/family tragedy, and left early. End Transmission Games did not exist yet, and no effort was made to promote my own stuff.
2012:  No personal tragedies this year, but when Mikaela and I went we were both dreadfully physically ill with some terrible death plague. Especially me. We carted a ton of Splinter books, and tried to run some demos, but no one had heard about our demos and and we had nowhere to sell our books. Net loss to our fledgling company: just thousands and thousands of dollars. One demo was a complete no-show, and the next was a big success…but I don’t really know what I was expecting since we didn’t have a booth, and with the rate they go at, it didn’t seem like we’d ever be able to afford one.  Anyway, my full wrap-up of GenCon 2012 is here.

(It’s been a pattern since at least 2010 (pre-End Transmission, when we were just trying to promote Systems) that we go to conventions knowing we’ll lose money on it as a given, but hoping that the word of mouth we spread will make up for it. Then of course, we’re both too shy and socially reticent/awkward (news flash: other people are terrifying, and it’s even worse with fellow geeks) to be remotely extroverted enough to actually spread said word of mouth.)

This year, though, I like to think we’re locked, cocked, and ready to rock.

Here’s the rundown of End Transmission’s GenCon appearance this year, and the products we’ll have on offer.

* We’re sharing a booth in the mighty mighty dealer’s hall with David Hill and Filamena Young of Machine Age Productions. Specifically it is booth #1956 and we should be there most or all of the con. Stop by! We’ll have all the following there:

* Singularity System Core Rulebook.

* Singularity System Gameplay Modules Biotech and Wild Talents.

* Brand New, Never Before Sold Singularity System Gameplay Module: Firefight! This is The Singularity System’s main personal combat module, and it includes rules for personal combat, including new actions, new maneuvers, 40 new weapons, and new options for customizing personal weapons and armor. 

* S.P.L.I.N.T.E.R. 

* Ronnie award winning storygame Anathema.

* ENnie award nominated fan RPG Phantasm (2010).

* We’re running one demo of the Singularity System ourselves, from 3-7 at Room #302 in the JW Marriott on Friday. There will also be other demos running Friday Morning and Sunday Morning, location to be announced.

* We’ll be at the Ennie Awards Ceremony right after our demo, to watch Phantasm(2010) probably not win. 

That about covers it! See you there!