I don’t imagine I will have a whole lot of game design to be blogging about for the foreseeable future. End Transmission Games is kaput, at least for the time being. I might try doing my own stuff under a different masthead after a while, but I don’t think that will be any time soon.
I had a random thought though which is really the only reason I make this blog post. Considered by many the first “post-modern” video game, Metal Gear Solid 2: Sons of Liberty’s themes and messages are more relevant now than ever, particular its Gainax Ending . Just before the final boss fight, the literal talking heads of the Patriots (the La-li-lu-le-lo!), the simulated Colonel Campbell and Rosemary, lecturing Jack on the dangers of a post-fact, post-truth world feel eerily urgent in the face of a game released in 2001 and largely developed pre-9/11. The worst case scenario that they are talking about sounds a lot like the post-Trump, “Fake News” era we live in now. It’s uncannily prescient for a 16 year old Japanese video game. Echoes of the themes of the popular musical Hamilton (“What is a legacy?”) are also surprising coming from a 16 year old Japanese video game. I suggest anyone who has had this gem collecting dust in their collection or never got around to playing it seek it out and a console to play it on, just for the ending.
There’s no good reason that the often brilliant, frequently self indulgent, and always pleasantly bizarre Hideo Kojima should have been able to predict the death of truth in media and the rise of echo chambers and thought bubbles instead of discourse, but he did. It almost makes me wish we had a censorious GW like AI, like that housed within Arsenal Gear, to prevent us from reaching this sad point in our society. Almost.